Authors: Andy Goldsworthy.
Hardcover, 120 pages
Publisher: Harry N. Abrams
Publication Date: 1990-09-01


Reviews :

    Goldsworthy creates sculpture in the open that manifests, however fleetingly, a sympathetic contact with the natural world....

    Scottish artist Andy Goldsworthy uses a seemingly infinite array of purely natural materials, from snow and ice to leaves, stone, and twigs in the creation of his one-of-a-kind sculptures. Unlike such artists as Christo and Michael Hiezer, whose works leave definite marks on the landscape, Goldsworthy's approach is to interrupt, shape, or in some other way temporarily alter or work with nature to produce his fragile, mutable pieces. To create "Broken Icicle," for example, Goldsworthy was only able to work on the sculpture in the early morning, when temperatures were below freezing. As with most of his works, ultimately, the materials used to create this piece returned to their natural state, leaving no trace of the artwork's existence save for the stunning photos in this book....

Authors: Andy Goldsworthy.
Hardcover, 120 pages
Publisher: Harry N. Abrams
Publication Date: 1994-03-01


Reviews :

    Here is an arresting look at art that uses slate, limestone, river boulders, sand, mud and clay--all created by young Scottish artist Goldsworthy. Stone reflects the artist's increasingly strong conviction that the places in which he works are as essential a part of his art as that which he creates. 130 full-color photographs....

Authors: Andy Goldsworthy.
Hardcover, 120 pages
Publisher: Harry N. Abrams
Publication Date: 1996-09-01


Reviews :

    For British artist Andy Goldsworthy, wood evokes ideas for growth, perpetual change, and transformation. In Wood, he works with leaves, bark, branches, ice, boulders, and sand. The artist's photographs, superbly reproduced here, capture the moment at which each work came alive for him--through a particular quality of light, a precise stage in melting, or the blowing of the wind. 150 color photos....

Authors: H. R. Giger.
Calendar, 24 pages
Publisher: Morpheus International
Publication Date: 2008-07-27
Edition: Wal

Reviews :

    ...

Authors: Andy Goldsworthy.
Hardcover, 168 pages
Publisher: Abrams Books
Publication Date: 2007-10-01


Reviews :

    Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now once again serve their intended purpose. These form the core of Enclosure: they reflect Goldsworthy’s lifelong interest in the land, its history, and the people who work on it. They are accompanied by a rich collection of ephemeral work related in various ways to sheep, including a spectacular series of large sheep paintings—paintings made by the hoof-prints of sheep.

Enclosure, which joins the sublime tradition of the art and literature of the landscape of the British Isles, is an exciting addition to the series of eight bestselling books that Goldsworthy has already produced for Abrams....

Authors: Andy Goldsworthy.
Hardcover, 168 pages
Publisher: Harry N. Abrams
Publication Date: 2004-11-01


Reviews :

    Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night.

Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. AUTHOR BIO: Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work. Goldsworthy's best-selling books for Abrams include A Collaboration with Nature, Time, Stone, Wall, and Wood. Terry Friedman is an architectural historian and former principal keeper of Leeds City Art Gallery and Henry Moore Centre for the Study of Sculpture in Leeds, England. He curated the first major retrospective of Goldsworthy's work, in 1990....

    To achieve the quiet beauty of his art, Andy Goldsworthy spends long hours in rough weather, engaged in a tug-of-war with nature. He wrestles heavy stones on top of one another to form tall, egg-shaped landmarks known as cairns. He painstakingly covers fallen logs with bright golden bands of Dutch elm leaves—a last hurrah for a proud species decimated by disease. He pulverizes white chalk to lay a long, wandering path in the woods that gleams in the moonlight. Works like these are as much about the transience of life as they are about a sense of place and the pleasures of color, light and form. In Passage, the British artist's latest book, he once again provides diary excerpts that chronicle his daily successes and failures. The lush color photographs he takes to document peak moments of the birth, glory and decay of his art are as beautiful as ever. Unlike the other books, however, Passage--which begins in 2000 and darts back and forth over the next few years--is shadowed by a more urgent sense of mortality. Goldworthy's recently deceased father is in his thoughts, and a major project he tackles is the memorial Garden of Stones for the Museum of Jewish Heritage in New York. The garden's giant boulders pose many difficulties--finding the right ones, acquiring them, moving them, experimenting with cutting processes and coping with the elderly stonecutter's frequent tantrums. Hollowed out, the stones will be filled with trowels of earth (a ritual recalling burial) and tiny oak saplings, symbolic of life. "The partnership between tree and stone will be stronger for the tree having grown from the stone, rather than being stuck into it," Goldsworthy writes in his straightforward style. (An essay about this project by the historian Simon Schama, previously published in The New Yorker, is one of several pieces by other writers included in the book.) Once again, Goldsworthy succeeds in showing how seemingly simple ideas and actions can deeply engage both natural forces and human emotions. —Cathy Curtis...

Authors: Boston Museum of Fine Arts. Pomegranate.
Calendar, 112 pages
Publisher: Pomegranate
Publication Date: 2008-06-01
Edition: Egmt Spi

Reviews :

    Katsushika Hokusai (1760 1849) and Utagawa Hiroshige (1797 1858) were the greatest makers of ukiyo-e, or pictures of the floating world. Among the thirty-two woodcuts in this calendar are selections from these artists most prized series, such as Hiroshige s One Hundred Famous Views of Edo and Hokusai s Thirty-six Views of Mount Fuji. Also included: 54 weekly grids, 12 full-page monthly grids, a brief essay about the artists, lists of international holidays and international calling codes/time differences, 2009 and 2010 yearly grids, pages for notes, and a personal information page.

Published with the Museum of Fine Arts, Boston. Size: 6 5/8 x 8 in.; 112 pages; hardcover Wire-O bound....

Authors: Melanie Trede. Lorenz Bichler.
Hardcover, 294 pages
Publisher: Taschen
Publication Date: 2008-01-27
Edition: Mul

Reviews :

    Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century Literally meaning "pictures of the floating world," [b]ukiyo-e refers to the famous Japanese woodblock print genre[/b] that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original set of woodprints belonging to the Ota Memorial Museum of Art in Tokyo....

Authors: Mark A. Vieira.
Hardcover, 224 pages
Publisher: Harry N. Abrams
Publication Date: 1997-02-01


Reviews :

    During Hollywood's Golden Era, publicity photos had the same power to make or break stars as the films in which they appeared. The most sought-after photographer of the time was George Hurrell, who perfected the "glamour" portrait. Here, 275 of his classic duotone photos are brilliantly reproduced, using archival prints that preserve his dramatic lighting effects....

    They had faces then, in the golden age of Hollywood when a publicity photo could make or break a star. The visual power of George Hurrell's portraits, with their Rembrandtesque lighting and dramatic poses, shaped the careers of such stars as Joan Crawford, Jean Harlow, and Jane Russell, and did as much or more to establish them as their film performances. Mark Vieira, who adopted Hurrell's techniques and uses them to this day, explains how the master portraitist lit and retouched his photographs--a portrait of Crawford before and after retouching reveals what an artist the one-time painter really was--and analyzes their impact....

Authors: Andy Goldsworthy.
Hardcover, 192 pages
Publisher: Harry N. Abrams
Publication Date: 2000-11-01


Reviews :

    In his first major book in four years, internationally acclaimed artist Andy Goldsworthy presents a wealth of new work informed by the passage of time. Goldsworthy, who works with stone, leaves, grass, branches, snow, and other natural materials to create intensely personal artworks, uses time almost as a medium in his art: on a snow-covered Scottish hillside a huge rectangle of compacted snow becomes ever more visible as the surrounding snow melts away; clay walls dry out and crack, revealing previously invisible forms embedded within them; a sculpture of re-formed icicles is made to catch the morning sunshine. In the spectacular color photographs seen here, Goldsworthy celebrates the many ways his art is about, or evokes, the passage of time.

Presenting exciting works not seen in previous books, along with revealing excerpts from Goldsworthy's working diaries, this perceptive overview-which includes an extensive illustrated chronology by Terry Friedman-will become the definitive reference on Goldsworthy's art.

ANDY GOLDSWORTHY's books include Abrams' Stone, Wood, Arch, Wall, Hand to Earth, and Andy Goldsworthy: A Collaboration with Nature. His work is regularly exhibited in Britain, France, Japan, and the United States. This new book comes in the same year that his first permanent installation in an American museum, at Storm King Art Center in Mountainville, New York, has its official unveiling. Goldsworthy lives with his family in Scotland.

TERRY FRIEDMAN is an architectural historian who curated the first major retrospective of Goldsworthy's work.

"Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work." -Andy Goldsworthy

More than 250 photographs in full color, 111/2 x 10"...

    Whether measured in minutes or eons, time is a good friend of British artist Andy Goldsworthy's. He spends long, solitary days outdoors in all kinds of weather, doing things like piecing together many, many yellow leaves to create a brilliant band of color at a river's edge in upstate New York or stacking small pieces of ice on the Nova Scotia coast to build a sculpture in the compact shape of an ancient stone monument. Threatened by a strong gust of wind, the incoming tide, or a sudden rise in temperature, these are fugitive works comfortably in synch with the natural rhythms of growth and decay.

Other works of his are longer-lasting. In walls made of stacked stones with hollowed-out oval "chambers" the size of his body--which he began building in 1999 in Lancashire, England--Goldsworthy makes reference not only to the shapes of graves in a nearby church but also to his personal history in the region and the enduring qualities of a rugged landscape.

Goldsworthy is the rare artist who can describe what he does in simple, concrete terms that nonetheless reveal his larger vision. Time is a very satisfying collection of 500 photographs, nearly all taken by him, that document the creation and subsequent mutations of his work. These evocative images are illuminated by excerpts from the diaries he kept as he created five projects in Europe and North America in the '90s. He discusses what it's like to explore an unfamiliar landscape, assess how the elements will work for and against him, and perform what are essentially a set of experiments. Success means making work that is, as he writes, "completely welded to its site." --Cathy Curtis ...